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SCULPTURES
Gary Beals
Michael Freed
Sally Hepler
Bret Price

PAINTINGS
Martha Rea Baker
Elaine Holien
Ellen Koment
Janet Lippincott
Mary Long
Martha Mans
Kurt Meer
Stephen Pentak
Daniel Phill
Jinni Thomas
Kevin Tolman
Pauline Ziegen

COLLECTIONS
New Mexico Modernist Collection
Project Spaces Installations

Karan Ruhlen Gallery
225 Canyon Road
Santa Fe, NM 87501
505.820.0807
info@karanruhlen.com

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2014 Exhibition Schedule

July 25th - Ellen Koment and Mary Long

WAX  DUET
The encaustic works of
Ellen Koment and Mary Long

 

Text Box: Who: Ellen Koment, Mary Long What: Exhibition of encaustic paintings When: July 25- August 10, 2014 Opening Reception: Friday, 25 July,  5-7 pm. Where: Karan Ruhlen Gallery,  225 Canyon Road, Santa Fe, NM 87501 Curriculum Vitae online www.karankaranruhlen.com SANTA FE, NM. Luminous colors, elusive textures and evocative depths are the stuff of encaustic. “It’s a medium that has a rich history,” says Karan Ruhlen. “In this two-person exhibition, encaustic is a riveting witness to the presence of space, light, and mystery.”  These artists interpret the medium in their own unique way.

The term encaustic technique derives from the Greek word enkaustikos which translates to “to heat” or “to burn”. Encaustic technique is an ancient painting style that was first practiced in the first to third centuries. The ancient Greeks often used this technique for mural painting. The shipwrights of ancient Greece used wax to protect the wood from water and the elements. They also figured out that pigments and binders could be added to the wax to create “paint.” The earliest and best-known examples of encaustic art are the Fayum mummy portraits from Egypt (c. 100-300).

Encaustic technique disappeared and reappeared a few times in history until it resurfaced in the works of Jasper Johns and Diego Revera. Today, there’s a movement in the medium as a creative, textural, non-toxic alternative to traditional painting. Contemporary encaustic paint is a combination of beeswax, damar resin and pigment.  “The results are luscious surfaces that combine transparency and opacity in layers that encourage exploration and discovery,” Ruhlen enthuses.

Santa Fe artist Ellen Koment has worked with the encaustic technique for over Twenty years.  “As a medium encaustic offers a vast array of possibilities and enables the artists to tap into their innermost resources and give voice to their spirit. Working with encaustic requires an enhanced awareness of process and the ability to be at one with its immediacy, so that it’s a genuine partnership between the artist and the work.  I want to be in control and simultaneously, relinquish that control to the process,” says Koment. She is attracted to the inherent beauty of the encaustic wax process. She uses thin transparent layers to reveal the many layers beneath. Layers of color, line, wax, and the unexpected as well as anticipated ways that they combine. The result is a rich compilation revealed on the surface.

Mary Long was born in Ohio and has lived in Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. “I grew up near Canton, where there is a crazy-quilt patchwork of rural farms and factories. It’s a juxtaposition of architectural grayness against expanses of happy saturated colors that inspires my work to this day,” she says. Long often begins her paintings with marks drawn in oil stick, over which she applies 12 to 20 layers of wax combined with oil paints. “I scrape down in between the applications, revealing some of the marks, while leaving others faded or hidden in little worlds that have an element of history to them. In the latest work , Location Series I am decompressing , exploring more of the spaces in between. They don't simply represent topographical maps to me but also time and space, the painting acts as a 'slice' or a 'snapshot' of something continuous,” says Long.

 

August 8th - Jinni Thomas and Pauline Ziegen

QUIET BEAUTY
Featuring:
Jinni Thomas and Pauline Ziegen

 

Text Box: Who: Jinni Thomas, Pauline Ziegen What: Exhibition of mixed media paintings When: August 8-20, 2014 Opening Reception: Friday, 8 August,  5-7 pm. Where: Karan Ruhlen Gallery,  225 Canyon Road, Santa Fe, NM 87501 Curriculum Vitae online www.karankaranruhlen.com SANTA FE, NM.  “The experience of ‘beauty’ often involves an interpretation of some entity as being in balance and harmony with nature which may lead to feelings of attraction and emotional well being.  Because this can be a subjective experience, it is often said that beauty is in the eye of the beholder,” original author unknown.  Beauty is everywhere and obsesses everyone (whatever your idea of beauty happens to be). The exhibition “Quiet Beauty” showcased the work of two accomplished New Mexico artists whose work explores the beauty in art and nature. It looks at an aesthetic development, exploring how the subtle tones and rich surfaces inform each artist’s approach to painting.

In Jinni Thomas’ work she says, " The emotion from that visual experience, that awe moment,
works down into our hearts and alters the grain of our reality.  All my paintings are self-portraits; therefore, painting is a selfish act of searching for and preserving moments of beauty on canvas.  From my days as a child wandering my Mother’s garden to my in depth study of Antiquity and the Italian Renaissance as an adult, the formal elements of Classicism and the desire to be emotionally charmed by beautiful things will always influence my creativity.  My art is an expression of my feelings and a need for beauty”.

Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast stretches of prairie lead to distant horizons. Representing the unique dichotomy of where the earth seems to meet the sky or the apparent boundary between earth and sky, the horizon is, she says, “an ever-shifting location that you can never reach, yet it is always compelling.”
At the time, Ziegen’s landscapes were representational; however, she has been “editing” ever since, creating suggestive abstractions inspired by the landscapes she views from a ridge-top home and studio on the outskirts of Santa Fe, New Mexico. “...abstraction is all about editing and simplifying the visual world into formal elements that become metaphors of emotion,” says Ziegen.

This exhibition is an opportunity to survey two artist’s work whose combined residency in New Mexico spans seventy years. They embrace beauty with sensibility and sophistication.

 

 

 

 

September 26th - Daniel Phill

September 24 through 28 Wine and Chile week

 

October 17th - Martha Mans, Kurt Meer, Stephen Pentak

October 18th - Canyon Road Paint Out

tentative schedule

 

 

Fine art in Santa Fe New Mexico featuring original abstract and contemporary art,
paintings and sculpture by regional and national artists.
Exclusive representation of the Estate of Janet Lippincott.
 

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